Universal Audio Sphere LX Modeling Microphone System Microphone Modeling System with 20 Mic Models, Large-diaphragm Condenser Mic, and Sphere DSP Software Plug-in - Mac/PC VST2, VST3, AU, AAX Native
Universal Audio Sphere LX Modeling Microphone System
Microphone Modeling System with 20 Mic Models, Large-diaphragm Condenser Mic, and Sphere DSP Software Plug-in - Mac/PC VST2, VST3, AU, AAX Native
Universal Audio Sphere LX offers a streamlined approach to the company's renowned microphone modeling system. You get a high-quality large-diaphragm condenser mic that works in concert with software that meticulously models the sonic attributes of 20 of the most coveted microphones ever made. The mic's compact design ensures flexible placement options, while IsoSphere software reduces unwanted coloration and room ambience in challenging spaces. The included Sphere DSP plug-in even lets you change your mic selections, polar patterns, and other characteristics, even after tracking. You can also blend the sound of two mono mics using Sphere LX's Dual Mode — a surefire way to maximize mic'd snare drums and guitar cabinets. Universal Audio Sphere LX is your one-way ticket to a dream mic locker.
Why does Universal Audio use a dual-capsule microphone with dual outputs? Because it more thoroughly captures the sound field, including the distance and directional information you'd lose with a conventional 1-channel mic. This allows the Sphere LX microphone modeling system to accurately reconstruct how different mics respond to the acoustical environment. Other mic modeling technologies may apply equalization to filter the sound from a conventional microphone — which is essentially the same as applying EQ to process a recorded signal. Sphere's three-dimensional approach captures the spatial nuance, proximity effect, and off-axis response of a broad selection of microphones — 20 models in all — including legends from Neumann, Telefunken, AKG, Sony, and more. You can also use the Sphere Linear (modified to flat) or Sphere Direct (the unchanged sound of the mic), which many listeners like with no modification at all. The LX is precision crafted and — unlike some prized vintage mics — quite rugged, handling sound pressure levels in excess of 140dB before clipping. And boasting an impressive 10dB-A of self-noise, well below most vintage mics, the LX is on par with the quietest contemporary models.
