Classic American Console Preamp Design The WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as "the sound of Rock n' Roll" for its BIG punchy low end and smooth open top end. The price/performance ratio of the WA-412 is almost unfathomable to the experienced studio engineer who has possibly paid much more for preamps of this style during their career. Featuring fully discrete socketed 6-pin opamps and custom wound Altran USA input and output transformers, the WA-412 leaves nothing to be desired. If you are looking for multiple channels of world class tone in an affordable package, the WA-412 is the right choice for you.
The WA12 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications. A high quality mic preamp is one of the most critical pieces needed to achieve the elusive ‘larger than life’ sound, and the WA12 MKII is more than capable of delivering.
Though digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear. When you hear the bottom-end presence and top-end detail of quality analog gear, the difference is astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.
The WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable!
If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with & w/out EQ), that each pay careful homage to British audio history.
ESI MoCo Passive Monitor Controller The ESI MoCo Passive Monitor Controller not only attenuates volume, but provides input and output switching to different monitor sets. Two sets of inputs can be sent to either of two sets of outputs (no balanced to unbalanced conversion).
PreSonus Monitor Station V2 Desktop Monitor Controller Desktop Monitor Controller with Input and Output Routing, 4 Headphone Outs with Individual Levels, Source Selection, S/PDIF Digital Input, and Talkback Mic - Black
Warm Audio WA-2A Tube Optical Compressor 1-channel Tube Optical Compressor with All-discrete Signal Path, Custom Optical Photocell, and Cinemag Transformers
Warm Audio EQP-WA Tube Program Equalizer 1-channel, 2-band Tube EQ with Transformer-balanced I/O, CineMag Transformers, Bandwidth Control, and EQ Bypass
Warm Audio WA-DI-A Active Direct Box Active Direct Box with Variable Pad, Amplifier Out, and Cinemag Transformer
Warm Audio WA-DI-P Passive Direct Box Passive Direct Box with Variable Pad, Amplifier Out, and Cinemag Transformer
Warm Audio TB12 Tone Beast Microphone Preamp - Black Mic/Instrument Preamp with Variable Character, 71dB of Gain, Cinemag Transformers, Discrete Op-amp Section, Selectable Capacitors, Variable Impedance, and Highpass Filter - Black
Audient ASP800 8-channel Microphone Preamp 8-channel Microphone Preamplifier and ADC with 2 Retro Channels, 2 Discrete JFET DIs, and HMX & IRON Enhancement Circuitry
Audient ASP880 8-channel Microphone Preamp B GRADE with a few slightly visible scratches on top panel. Eight-channel Microphone Preamp/ADC with Burr Brown converters, line inputs, variable highpass filters, insert points, and two discrete JFET DIs
Universal Audio 710 Twin-Finity Microphone Preamp Tube/FET Preamp and DI with Tone-blending Knob, Dual Gain Stage Settings, and Discrete JFET DI Input
PreSonus BlueTube DP V2 2-channel Microphone Preamp 2-channel Microphone and Instrument Preamplifier with Mixable XMAX Solid-state and 12AX7-based Tube Preamplifiers for Each Channel
PreSonus TubePre V2 Tube Microphone Preamp Single-channel Microphone and Instrument Preamplifier with Built-in Tube Tone Circuit
Warm Audio WA-1B Optical Compressor 1-channel Tube Optical Compressor
IK Multimedia TONEX Capture Tone Modeler and Re-amp Box Tone Modeler and Re-amp Box with Attenuation, Ground Lift, and 200 Presets IK Multimedia's TONEX Capture is a cutting-edge Tone Model builder, allowing you to effortlessly create a digital profile of any amplifier or pedal's true-to-life tone! By rigging up the TONEX Capture to your amp and audio interface, you can easily create an IK Multimedia digital Tone Model that replicates every nuance of your amplifier and cab's (or pedal's) response, providing you with a software emulation that guitarists find is virtually indistinguishable from the real thing. In addition, the TONEX Capture also doubles as a re-amp box - an essential tool for guitarists and producers looking to audition their direct tracks through a multitude of real-world guitar amps. If you're looking to dive headfirst into the advanced modeling world of IK Multimedia's robust TONEX ecosystem, there's no simpler way to do it than with the TONEX Capture. IK Multimedia TONEX Capture Tone Modeler and Re-amp Box Features: Creates hyper-realistic IK Multimedia Tone Models of your amplifier Requires only a computer, audio interface, and amplifier - no load boxes, mics, or attenuators are necessary Unique design allows you to capture your amp's tone either pre-cabinet (directly) or post-cabinet (with microphones), or a combination of both Doubles as the perfect re-amp box, in addition to allowing you to record your tone pre-cabinet without a load box Ground lift and galvanic isolation greatly reduces hum and other unwanted noise Attenuation controls ensure your signal is always at the right level Massive 5Hz-30kHz frequency response with zero phase deviation from 20Hz-20kHz keeps your tone clean and true to life Includes Tonex SE, a massive package of 200 Tone Models, amps, pedals, and unlimited Tone Model Creation capabilites What's in the box 1 X Tonex 1 X Psu
Universal Audio UAFX Evermore Studio Reverb Guitar Effects Pedal Digital Reverb Guitar Effects Pedal with 3 Reverb Voices, Modulation, and Trails/Bypass Modes Boasting three studio-grade reverb algorithms from Universal Audio's Golden Reverberator pedal, the Evermore Studio Reverb pedal provides a masterclass in studio-style digital echo. Evermore sports three voices to swap between - Room, Small Hall, and Large Hall - all inspired by the textured trails and moody modulation of an all-time great 1980s digital reverb unit. What's more, Evermore comes complete with a positively compact and pedalboard-friendly enclosure, along with an array of straightforward controls, including a 3-band EQ, modulation knob, and Mix control. Lastly, it's all topped off (quite literally) with two top-mounted switches for control over your signal's pre-delay and whether the pedal operates in Trails mode or Bypass mode. Universal Audio Evermore Reverb Guitar Effects Pedal Features: A trio of studio-style digital reverb algorithms inspired by Universal Audio's Golden Reverberator pedal Room, Small Hall, and Large Hall digital reverb voices, modeled after a legendary earl-era digital reverb unit from the late 1970s Full 3-band EQ to shape your sound Modulation knob imparts a sense of movement and mood to your reverb trails Predelay switch to fine-tune the initial attack of your reverb Bypass switch allows you to swap between trails mode and true bypass What's in the box 1 X Pedal 1 X User Guide
Want to plug into some legendary British crunch? If so, plug into the Universal Audio UAFX Lion ’68 Super Lead Amp pedal. It serves up one of the most realistic emulations of the legendary Super Lead we’ve ever heard here at Sweetwater. Moreover, this stompbox is really three amps in one: a Super Lead, a Super Bass, and the coveted Variac’d “brown” sound that erupted in the late 1970s. You also get three speaker options. You’ll be blown away at how closely the Lion re-creates the sound of a cranked tube amp recorded in a live room, thanks to UA’s unparalleled mic, cab, and Dynamic Room Modeling technology. Further, like all the pedals in UA’s UAFX series, the Lion allows you to bypass your amplifier’s preamp when the pedal is engaged via the special “4-cable” mode. If you’re craving greater control, the Lion sports Bluetooth compatibility to connect to Universal Audio’s UAFX app to edit hidden parameters and access artist presets. Finally, the Lion ’68 Super Lead also boasts state-of-the-art analog and digital circuitry, analog dry-through, and a high-quality buffered bypass.
The Warm Audio WA76-D nails the performance, behavior, and vintage analog sound of the most famous solid-state limiting amplifier ever made — the renowned “D” revision of the iconic ’76. Like the revered classic, the Warm Audio WA76-D features a completely discrete signal path and the same arrangement of controls. And yes — it replicates the original’s explosive performance when all the ratio buttons are pressed in. But the WA76-D is much more than a clone; its added recording features make it a versatile compressor/limiter for modern studio workflows. Warm Audio doesn’t cut corners on components, but they do order parts and build in quantity, which keeps costs down and delivers amazing value. The WA76-D is assembled with top-drawer components, including premium resistors and poly film capacitors, as well as custom original-spec, large-core CineMag USA input and output transformers. And like all Warm Audio gear, the WA76-D is rigorously inspected and hand tested by experienced technicians in Austin, Texas.
The Warm Audio WA76-A nails the performance, behavior, and vintage analog sound of the renowned “Blue Stripe” ’76 — the A revision of the most famous solid-state limiting amplifier ever made. Like the revered classic, the Warm Audio WA76-A features a completely discrete signal path and the same arrangement of controls. And yes — it replicates the original’s explosive performance when all the ratio buttons are pressed in. But the WA76-A is much more than a clone; its added recording features make it a versatile compressor/limiter for modern studio workflows. Warm Audio doesn’t cut corners on components, but they do order parts and build in quantity, which keeps costs down and delivers amazing value. The WA76-A is assembled with top-drawer components, including premium resistors and poly film capacitors as well as custom original-spec, large-core CineMag USA input and output transformers. And like all Warm Audio gear, the WA76-A is rigorously inspected and hand tested by experienced technicians in Austin, Texas.
