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Universal Audio UAFX Evermore Studio Reverb Guitar Effects Pedal Digital Reverb Guitar Effects Pedal with 3 Reverb Voices, Modulation, and Trails/Bypass Modes Boasting three studio-grade reverb algorithms from Universal Audio's Golden Reverberator pedal, the Evermore Studio Reverb pedal provides a masterclass in studio-style digital echo. Evermore sports three voices to swap between - Room, Small Hall, and Large Hall - all inspired by the textured trails and moody modulation of an all-time great 1980s digital reverb unit. What's more, Evermore comes complete with a positively compact and pedalboard-friendly enclosure, along with an array of straightforward controls, including a 3-band EQ, modulation knob, and Mix control. Lastly, it's all topped off (quite literally) with two top-mounted switches for control over your signal's pre-delay and whether the pedal operates in Trails mode or Bypass mode. Universal Audio Evermore Reverb Guitar Effects Pedal Features: A trio of studio-style digital reverb algorithms inspired by Universal Audio's Golden Reverberator pedal Room, Small Hall, and Large Hall digital reverb voices, modeled after a legendary earl-era digital reverb unit from the late 1970s Full 3-band EQ to shape your sound Modulation knob imparts a sense of movement and mood to your reverb trails Predelay switch to fine-tune the initial attack of your reverb Bypass switch allows you to swap between trails mode and true bypass What's in the box 1 X Pedal 1 X User Guide

Universal Audio UAFX Heavenly Plate Reverb Guitar Effects Pedal Plate Reverb Guitar Effects Pedal with 3 Reverb Voices, Modulation, and Trails/Bypass Modes Clocking in at a compact and pedalboard-friendly size, the Universal Audio Heavenly Plate Reverb sports a studio-grade trio of celestial-sounding plate reverbs inspired by UA's Golden Reverberator pedal. Vintage Bright, Vintage Dark, and Modern Full: Heavenly's three plate reverb voices offer a distinct flavor of 1950s-style studio plate reverb, with ultra-authentic tails and extraordinary sonic depth. And while this pedal is packed full of studio-quality reverb sounds, the Heavenly is built for straightforward operation - reverb-standard Decay/Mix/EQ controls allow for instant sonic sculpting, while the Predelay knob and Modulation section give you the means to tweak your tone from a touch of echo to lush and ethereal soundscapes. Finally, the Heavenly also boasts two top-mounted switches, including a Bypass mode to swap between trails mode and true bypass. In contrast, the Mod Rate switch gives you enhanced control over the Heavenly's modulation section. Universal Audio Heavenly Plate Reverb Guitar Effects Pedal Features: A pedalboard-friendly addition to the UAFX series, with 1950s-style plate reverb inspired by UA's Golden Reverberator Includes a trio of reverb voices based on a classic 1950s studio plate reverb unit from Germany: Vintage Dark, Vintage Bright, and Modern Full Straightforward and intuitive control section, including Decay, Mix, Predelay, and EQ Modulation knob imparts a moody hue to your reverb, and you also get a 2-position switch to determine the speed of your modulation Trails/Bypass mode allows you to switch between true bypass operation (reverb cuts off when deactivated) or Trails mode (reverb trail continues to decay even when the pedal is disengaged What's in the box 1 X Pedal 1 X User Guide

Designed in collaboration with Greg Mackie and Peter Watts, the Korg SoundLink MW-1608 is a full featured, hybrid analog/digital mini-console for easy creative mixing, well suited for bands, musicians, recording studios, houses of worship, broadcast applications, and more. The MW-1608 utilizes some advanced designs and features including Peter Watt's HiVolt microphone preamp, which includes Trident technology and provides a rich warm sound that delivers low noise and high headroom, as well as musical EQs and dynamics. There are four easily programmable and recallable mute groups that allow you to instantly call up different combinations of channels for songs, a solo acoustic number, various groups onstage, a drum solo, and more. There are two more-me musician's headphone knobs, which utilize a single-knob boost of the complete L/R mix into the musician's individual track. This affords the mix engineer a simple solution to boosting the monitor signal without having to change the main mix or take up an extra bus. The MW-1608's digital side provides quick and easily accessible DSP without frustrating menu diving. Easily assign equalization, limiters, compression, and gating to L/R, Aux1, and Aux2. The tweakable effects are effective without sounding harsh or exaggerated and all parameters are easily recallable. Couple this with an onboard 31-band spectrum analyzer, and a 31-band / 9-band ParaGraphic EQ, and you've got a powerhouse of mixing problem solvers wrapped up into a pint-sized package. Furthermore, the mixer features high-quality, proprietary Korg custom and ultra-realistic digital effects. Thoughtfully designed throughout, you'll find all your standard effects. What's more, all six reverbs include warm versions for an even bigger pallet. The rear panel includes eight mono mic/line inputs with XLR or 1/4" inputs, while the stereo channels include a mono XLR mic input and stereo paired 1/4" inputs. XLRs are used on the main outputs as well as the aux outputs. Additionally, there are 1/4" main outs and 1/4" outs for Aux 3 and 4, as well as group outputs and the monitor output. The Korg SoundLink MW-1608 includes iZotope RX 7 Elements. What's in the box • Korg SoundLink MW-1608 Hybrid Analog/Digital Mixer • Power Cord • USB Cable

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Designed in collaboration with Greg Mackie and Peter Watts, the Korg SoundLink MW-2408 is a full featured, hybrid analog/digital mini-console for easy creative mixing, well suited for bands, musicians, recording studios, houses of worship, broadcast applications, and more. The MW-2408 utilizes some advanced designs and features including Peter Watt's HiVolt microphone preamp, which includes Trident technology and provides a rich warm sound that delivers low noise and high headroom, as well as musical EQs and dynamics. There are four easily programmable and recallable mute groups that allow you to instantly call up different combinations of channels for songs, a solo acoustic number, various groups onstage, a drum solo, and more. There are two more-me musician's headphone knobs, which utilize a single-knob boost of the complete L/R mix into the musician's individual track. This affords the mix engineer a simple solution to boosting the monitor signal without having to change the main mix or take up an extra bus. The MW-2408's digital side provides quick and easily accessible DSP without frustrating menu diving. Easily assign equalization, limiters, compression, and gating to L/R, Aux1, and Aux2. The tweakable effects are effective without sounding harsh or exaggerated and all parameters are easily recallable. Couple this with an onboard 31-band spectrum analyzer, and a 31-band / 9-band ParaGraphic EQ, and you've got a powerhouse of mixing problem solvers wrapped up into a pint-sized package. Furthermore, the mixer features high-quality, proprietary Korg custom and ultra-realistic digital effects. Thoughtfully designed throughout, you'll find all your standard effects. What's more, all six reverbs include warm versions for an even bigger pallet. The rear panel includes eight mono mic/line inputs with XLR or 1/4" inputs, while the stereo channels include a mono XLR mic input and stereo paired 1/4" inputs. XLRs are used on the main outputs as well as the aux outputs. Additionally, there are 1/4" main outs and 1/4" outs for Aux 3 and 4, as well as group outputs and the monitor output. The Korg SoundLink MW-2408 includes iZotope RX 7 Elements. What's in the box • Korg SoundLink MW-2408 Hybrid Analog/Digital Mixer • Power Cord • USB Cable

Universal Audio UAFX 1176 Studio Compressor Pedal Compressor Guitar Effects Pedal with 3 Compression Modes, Parallel Mode, and Selectable True/Buffered Bypass The Universal Audio UAFX 1176 Studio Compressor leverages the company's industry-leading emulation technology to pack the sound of the illustrious 1176LN Limiting Amplifier into a compact stompbox. You'll benefit from three modes of classic guitar compression effects with familiar 1176-style Input, Output, Attack, and Release controls. You also get a Ratio knob, which includes the world-famous "all buttons in" mode, supplying you with the gritty, hyper-compressed textures pro engineers have relied on for decades. The 1176 Studio Compressor also includes a parallel compression mode and selectable true- or buffered-bypass switching. Whether you want to inject some punch into your clean tones, infuse your lead work with FET-fueled sustain, or add a studio-quality sheen to your guitar rig, the UAFX 1176 Studio Compressor is destined to become a staple on pedalboards everywhere. Universal Audio UAFX 1176 Studio Compressor Pedal Features: Packs a spot-on emulation of the venerable 1176LN Limiting Amplifier into a convenient stompbox 3 compression modes: Single, Dual, and Sustain Familiar 1176-style Input, Output, Attack, and Release controls Ratio knob includes an "all buttons in" mode for gritty, hyper-compressed textures Parallel compression mode functions as a wet/dry control Selectable true- or buffered-bypass switching ensures easy rig integration USB Type-C port m What's in the box 1 X Pedal 1 X User Guide

Out of stock-53.85%

IK Multimedia has released iRig Pro Quattro I/O, a professional-quality 4-input / 2-output field recording audio and MIDI interface with up to 24-bit, 96kHz conversion and a MEMS mic onboard for instant recording. A deluxe bundle is also available with custom XY stereo mic capsules and complete accessories. The iRig Pro Quattro I/O offers 4 high-quality, low-noise mic preamps with phantom power; Hi-Z and line-level instrument, RCA and TRS inputs; plus XLR balanced, 3.5 mm stereo and headphone outputs; and full MIDI I/O. Field Recording Interface or Standalone Mixer iRig Pro Quattro I/O turns any mobile device or Mac/PC laptop into a full-featured, professional field recorder. It also works as a standalone preamp and mixer powered via 4x AA batteries, USB or DC IN. All inputs/outputs can be used to capture and mix multiple sources to DSLR cameras or send their mix to a PA system with professional quality. Broadcast / Podcast Interface Stereo and Mono modes pre-mix up to 4 audio sources down to a stereo or mono track, which can be sent to streaming apps, DSLR cameras or sound systems. In Multichannel mode, all inputs are routed to channels 1 to 4 respectively sending 4 channels of audio to recording apps such as GarageBand or any DAW. Always Perfect Recordings A built-in limiter keeps sound levels optimal and avoids clipping on inputs 1 and 2. In Stereo and Mono mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2, but reduced by 12 dB as a backup in case the sound source unexpectedly overloads the main channels. Streaming with Effects iRig Pro Quattro I/O includes Loopback+, a powerful feature that lets users select either or both channels 3 and 4 to route microphones or line-level signals to audio apps such as MixBox, AmpliTube or VocaLive for processing and then route their outputs through the Loopback feature and into channels 1 and 2 going to their streaming app. Software and Apps In-the-box iRig Pro Quattro I/O comes complete with $/€450 of software for Mac/PC plus over $/€100 of audio production apps for iOS. Due to the included software bundle, the product is non-returnable. What's in the box 1 x iRig Pro Quattro I/O Interface 1 x USB-A to mini-DIN Connection Cable 1 x USB-C to mini-DIN Connection Cable 1 x 2.5mm Jack to MIDI Female Adapter 1 x Lightning to mini-DIN Connection Cable 4 x AA Alkaline Batteries 1 x 1/4 Thread Adapter

The CDL that fits your venue AND your budget. The CDL12 loudspeakers impressed ears around the world when we introduced them, thanks in no small part to their unique, patent-pending driver design that fills venues with consistent, articulate speech and music reproduction without sacrificing consistent SPL. Now that same constant-directivity performance is available in the new CDL12P, a lighter-weight design ideal for touring bands and mobile DJs who want the same scalability and sonic performance in portable design. What’s so great about constant directivity? Like the CDL12, CDL12P is the result of years of research and development, combining the best attributes of point source and line array technology into a unique patent-pending design. Based on the Constant-Directivity Two-Way Loudspeaker System design presented at the 143rd AES Convention in New York by Hugh Sarvis and Don Keele, the CDL12P radiates a highly focused pattern with consistent SPL throughout the frequency response range, both on- and off-axis. The result is clear, articulate speech intelligibility and natural music reproduction. A unique look with a unique result. Each CDL12P consists of eight 2-inch drivers aligned in a segmented circular-arc high-frequency array centered in front of a 12-inch woofer. The output of the low-frequency driver travels from the same acoustic axis as the high-frequency array, so the dispersion pattern always radiates directly from the center of the CDL12P. This is true whether the CDL12P is used individually on a tripod speaker stand or as part of an acoustically-coupled vertical array with up to six enclosures. Because both the highs and lows emanate from the same point, they arrive at listeners’ ears at the exact same time—meaning the CDL12P powered loudspeakers don’t create any smearing in their crossover frequencies, ensuring better intelligibility throughout the frequency response range. Symmetrical dispersion matters. Traditional line array loudspeakers typically place a high-frequency horn on one side of the enclosure and a woofer on the other. To obtain a symmetrical image with those loudspeakers, you'd have to flip one over—something they aren't designed to do in the first place—and you'd still have phase issues. With the CDL12P, the eight 2-inch high-frequency drivers arc over a single 12-inch woofer, comparable to the coaxial driver configuration found on top studio monitors. The result is better sonic coherence across the entire venue. Regardless of how many CDL12Ps you stack, you're working with a shared acoustic axis—and non-turbulent sound is propagating throughout the room. Scalable vertical coverage. The CDL12P’s hybrid point-source/line-array design delivers focused sound with consistent SPL coverage both on- and off-axis, making it an excellent choice for mobile and installed applications. Rigging CDL12P enclosures is made easier thanks to integrated pin-loaded rigging hardware. A dual-angle pole mount is provided, supporting the use of one or two enclosures when pole-mounted on a tripod stand, or atop the companion CDL18s subwoofer, allowing the system to adapt to varying audience sizes. The CDL12P’s integrated 500W x 500W Class D power amplifier features onboard DSP presets to facilitate and simplify arrayed configurations Now hear this. The patent-pending constant-directivity design of the PreSonus® CDL12P delivers exceptional performance and versatile configuration options in a visually stunning, compact form factor. Superior phase coherence and controlled dispersion result in an articulate, natural listening experience, making the CDL12P an outstanding choice for both portable PA and installed sound applications. The result of years of research and development, the CDL12P combines the directivity of a point-source design with the scalable coverage of a line array to create a unique loudspeaker that provides the flexibility demanded by modern sound reproduction applications. Hear it now at your authorized PreSonus dealer. Six-year warranty lets you rest easy. Quality runs deep in our company culture, and we strive to build feature rich, the best sounding, and most reliable products available anywhere. We’re confident you’ll love the PreSonus CDL12P. By choosing PreSonus, you’re assured of robust, trouble-free performance—for six years. In the unlikely event you do experience an issue, you can count on us to make it right. This is our commitment to you.